Proudly releasing the newest Conk Creative production for Anytime Fitness. This one may appear to be about the coolness of the illustration and editing technique. It's actually a deeper effort that starts with serious thought about brand positioning and goes from there.
See what you think and let me know.
Wednesday, December 8, 2010
Monday, October 18, 2010
Distracting or Enhancing?
I recently came across this very interesting technique for literally animating somewhat dry (though to my mind, very interesting) material.
What do you think ... does the drawing enhance your understanding of the information, or detract from it?
What do you think ... does the drawing enhance your understanding of the information, or detract from it?
Thursday, October 7, 2010
The Customization Catch-22
Once in a while, I encounter one of those "feedback loops" in the marketing/advertising process. These are the little memes of thought that sound good and rational in a meeting, yet in actual execution lead to small inefficiencies at best and huge problems at worst.
The latest is something I call the Customization Catch-22.
The scenario is this: Your company needs to produce some piece of marketing. It could be a trade show booth. It could be a good old-fashioned "sell sheet." It could be a brand-spanking-new website. In the pre-development process, the subject of "customization" comes up. This is usually, but not exclusively, centered on attracting vertical markets. "Let's do something for the financial services types." "Let's show health care companies that we have experience in their space."
That's almost always a good idea. But here's the rub: Often, once you start going down this road, you fall into one of those "focus vs. inclusion" traps that I so love to write about. If you're going to call out technology companies, then why not your higher education experience? Your public sector experience? Retail? Agribusiness?
So you have to call out everything lest you alienate one industry or lose one opportunity. The result: You risk creating the impression that you specialize in everything, which is a logical impossibility. Or you have to create so many separate Powerpoint slides, brochures, etc., that it becomes impossible (and expensive) to manage them all.
I wish I had an easy solution to the Customization Catch-22, but I don't. I think it's more useful to look at it as a symptom rather than a problem. Is it a red flag that your company (and your brand) isn't focused enough? Is it a sign that focusing on vertical markets isn't your best sales strategy in the first place? Is it a wake-up call that you really do need to pick just 3-4 verticals that present the greatest opportunity and not worry about the rest?
Chances are, it's at least one of these. And addressing the bigger picture is the only way to pull yourself out of the Catch-22.
Monday, October 4, 2010
SOUVENIRS Behind the Scenes
Just for fun ... this is a recently produced video showing some making-of footage of my script, Souvenirs (hopefully coming to a theater near you next year).
Wednesday, September 15, 2010
Focus vs. Inclusion in One Photo
Actually, if you call your business "Pizza and Pasta," you don't deliver variety. You named your business "Pizza and Pasta." By its very nature, your name precludes variety. That's the point. Can I get a pint of Egg Foo Young? No. Can I get three soft-shell tacos? No. Can I get a pizza or some pasta? Yes. Because that's what you sell. It's right in your name.
Monday, August 30, 2010
Introducing the Coalition of Angry Kids
Here's an idea: Find out that September is Childhood Obesity Awareness Month, have a client that's willing to go a little bit against the grain, and produce some TV and radio spots (supported by print ads in People magazine, USA Today and Delta's SkyMiles inflight magazine) all in an effort to attract earned media stories by saying something unexpected and controversial.
It worked. On the national level, Conk Creative's COAK campaign was covered by papers like The San Francisco Examiner. More important, on the local level it led to dozens of local TV stations interviewing Anytime Fitness franchise owners. Still more important, the offer attached to the campaign has so far drawn more than 26,000 takers. That's nearly 30,000 qualified leads with a high potential of becoming members.
Sure, a handful of people were a little miffed by the message. But if you're not offending someone, you're simply not saying anything interesting.
It worked. On the national level, Conk Creative's COAK campaign was covered by papers like The San Francisco Examiner. More important, on the local level it led to dozens of local TV stations interviewing Anytime Fitness franchise owners. Still more important, the offer attached to the campaign has so far drawn more than 26,000 takers. That's nearly 30,000 qualified leads with a high potential of becoming members.
Sure, a handful of people were a little miffed by the message. But if you're not offending someone, you're simply not saying anything interesting.
Thursday, June 10, 2010
Friday, May 7, 2010
Really, Caribou? Really?
Thursday, May 6, 2010
Don't Be Afraid of Specificity, Part II
With apologies to my readers, I'm finding that I can't let go of the "specificity" idea. Ever since I wrote about it last month, I feel as though I've been bombarded by additional examples of the necessity for specificity (say that three times really fast).
The example I've even started to use in meetings ... whether we're talking about products, services or story ideas ... is "My Big Fat Greek Wedding." We all remember the movie, right? It was a huge, global, overnight cinematic sensation. Yes, even I (a movie snob) saw it. Yes, I laughed all the way through. No, I never watched a minute of the spin-off TV series. Now imagine if this conversation had taken place with a studio development executive when Nia Vardalos was pitching the idea:
"It's called 'My Big Fat Greek Wedding.'"
"Greek, huh?"
"Yes, Greek."
"Not many Greeks in this country."
"There are millions, but that's not the point ... "
"Kind of alienating to only focus on Greeks, don't you think?"
"The point is, the movie can apply to any number of cultures."
"Not sure what you mean."
"Italians, Mexicans, maybe even Irish ... they'd all identify with these characters."
"Then why say 'Greek'?"
"Because I'm Greek. I know Greeks."
"But we need to be inclusive. No Irish person is going to see a movie with 'Greek' in the title."
"Sure they will, once the word of mouth spreads."
"Either we take out the 'Greek' or we consider doing different versions for each ethnic group. And that would be expensive."
"You don't have to do either. Trust me, these characters are universal."
"If they're universal, then why make them Greek?"
"Because I know Greeks, like I said ... "
"If Greeks are universal, then why is there anything to 'get to know'?"
"Have you even read the script?"
"Pass. Got anything else?"
"I've got a buddy flick about cops where one guy is super straight and the other one is totally crazy."
"Tell me more ... "
The example I've even started to use in meetings ... whether we're talking about products, services or story ideas ... is "My Big Fat Greek Wedding." We all remember the movie, right? It was a huge, global, overnight cinematic sensation. Yes, even I (a movie snob) saw it. Yes, I laughed all the way through. No, I never watched a minute of the spin-off TV series. Now imagine if this conversation had taken place with a studio development executive when Nia Vardalos was pitching the idea:
"It's called 'My Big Fat Greek Wedding.'"
"Greek, huh?"
"Yes, Greek."
"Not many Greeks in this country."
"There are millions, but that's not the point ... "
"Kind of alienating to only focus on Greeks, don't you think?"
"The point is, the movie can apply to any number of cultures."
"Not sure what you mean."
"Italians, Mexicans, maybe even Irish ... they'd all identify with these characters."
"Then why say 'Greek'?"
"Because I'm Greek. I know Greeks."
"But we need to be inclusive. No Irish person is going to see a movie with 'Greek' in the title."
"Sure they will, once the word of mouth spreads."
"Either we take out the 'Greek' or we consider doing different versions for each ethnic group. And that would be expensive."
"You don't have to do either. Trust me, these characters are universal."
"If they're universal, then why make them Greek?"
"Because I know Greeks, like I said ... "
"If Greeks are universal, then why is there anything to 'get to know'?"
"Have you even read the script?"
"Pass. Got anything else?"
"I've got a buddy flick about cops where one guy is super straight and the other one is totally crazy."
"Tell me more ... "
Thursday, April 22, 2010
This Is What Brand Confusion Looks Like
It may appear as though I only comment on branding as it relates to coffee companies. Understandable, since it is a passion of mine. The moral of the story here is, if you're going to change your logo, flip a switch. Don't say "we'll do it gradually" or "we'll do cup sleeves in a phase one, and cups themselves in a phase two."
Monday, April 19, 2010
Are You a Philosopher or an Economist?
When I started my personal blog, my fourth post (dated May 1, 2007) was called "Philosophy & Economics." Sounds riveting, doesn't it? Apparently I had been on an audiobook bender, and I had filled my head with, among other things, a history of the great Greek philosophers, and "Freakonomics" by economist Stephen Leavitt. As esoteric as the topic may sound, I still hold to the fundamental idea: Philosophy is about how the world should be; economics is about how the world is.
The question is, are you a philosopher or an economist?
Most people, including entrepreneurs and marketing professionals, vacillate between the two, and this was never more clearly expressed than in a book I recently finished: "Pour Your Heart Into It: How Starbucks Built a Company One Cup at a Time," by Starbucks CEO Howard Schultz. Starbucks started with a philosopher's mindset; it was out to introduce good coffee to the United States--specifically dark-roasted Arabica beans. It's easy to forget now, but before Starbucks, America lived on Brim. (Without Starbucks starting the movement, I wouldn't have the luxury of drinking coffee at superior local haunts like Kopplins.) Starbucks established the coffee bean and roast it thought superior, then, like any evangelist, set out to educate and convert the masses. And it worked. The product was radical at the time. It aroused curiosity and spread by word of mouth, one person at a time. And remember, Starbucks originally only sold beans and coffee-makers. It didn't serve actual brewed coffee or espresso.
Then Schultz went to Italy and experienced the espresso bar. He decided that serving espresso was the logical next step for Starbucks. He faced massive resistance from the company's founders. It was anything but a smooth transition. In fact, Schultz had to resign from Starbucks, start his own company, and then buy Starbucks back. But it happened. Still thinking like philosophers, Starbucks sought to educate the public. It maintained strict parameters on how it served espresso. And it worked, as people flocked to the then-new drink in droves.
But then things got interesting. Competitors started popping up and were more willing to think like economists. They might not have had the same quality of bean, but they were open to doing some things its customers wanted that Starbucks was not willing to do. For example, they served lattes with skim milk vs. whole. Starbucks refused to do so because skim milk affects the quality and taste of the drink. Starbucks customers started to complain. And more important, walk across the street to competitors. Starbucks was caught in the middle between philosophy and economics. It had build a customer base (but not achieved profitability) based on strict quality, but its business plan required massive growth to be profitable. At what point did it need to stop preaching and starting listening? And at what point would that mean selling its soul?
Schultz decided to think like an economist, and Starbucks began allowing skim milk to be used in its espresso drinks. Some people would say this was the beginning of the end for Starbucks; many others would argue that it was the beginning of the beginning.
Much as it's fun to rip Starbucks for all kinds of things (the greatest Onion headline of all time was "Starbucks Opens in Rest Room of Existing Starbucks"), Schultz has by and large managed to navigate the philosopher/economist tempest pretty damn well. He's never compromised on the bean or the brewing, so by being a philosopher, he's managed to beat lower-quality competitors like Gloria Jeans. But by also being an economist, he's profitably introduced frappucinos, Starbucks ice cream and even music into the mix (all the result of customer suggestions or employees' ideas). He sums it up by pointing out that Starbucks will add hazelnut syrup to a drink if a customer requests it, but it will never sell a bag of hazelnut-flavored beans. Believe it or not, that actually makes sense when you read the book.
I do think Starbucks officially lost its way with the introduction of VIA instant coffee ... a case I made in a previous visual post. And of course they've had to scale back in recent years. The company is certainly not perfect. Its reputation has always been more corporate than it views itself, but it has also been a rather exemplary corporate citizen when it comes to employee ownership and health benefits.
It's easy to be a rigid philosopher, but philosophers end up frustrated and bitter because few people think exactly like them. It's also easy to be a free-wheeling economist, but pure economic thinkers ultimately stand for nothing other than making money. What's terribly, terribly difficult is to walk that tightrope and make good decisions that lean one way or the other ... to listen to your audience without compromising your integrity. It's not a terribly sexy idea, and there's no public award for it. But in my book, it's actually the key to real success.
The question is, are you a philosopher or an economist?
Most people, including entrepreneurs and marketing professionals, vacillate between the two, and this was never more clearly expressed than in a book I recently finished: "Pour Your Heart Into It: How Starbucks Built a Company One Cup at a Time," by Starbucks CEO Howard Schultz. Starbucks started with a philosopher's mindset; it was out to introduce good coffee to the United States--specifically dark-roasted Arabica beans. It's easy to forget now, but before Starbucks, America lived on Brim. (Without Starbucks starting the movement, I wouldn't have the luxury of drinking coffee at superior local haunts like Kopplins.) Starbucks established the coffee bean and roast it thought superior, then, like any evangelist, set out to educate and convert the masses. And it worked. The product was radical at the time. It aroused curiosity and spread by word of mouth, one person at a time. And remember, Starbucks originally only sold beans and coffee-makers. It didn't serve actual brewed coffee or espresso.
Then Schultz went to Italy and experienced the espresso bar. He decided that serving espresso was the logical next step for Starbucks. He faced massive resistance from the company's founders. It was anything but a smooth transition. In fact, Schultz had to resign from Starbucks, start his own company, and then buy Starbucks back. But it happened. Still thinking like philosophers, Starbucks sought to educate the public. It maintained strict parameters on how it served espresso. And it worked, as people flocked to the then-new drink in droves.
But then things got interesting. Competitors started popping up and were more willing to think like economists. They might not have had the same quality of bean, but they were open to doing some things its customers wanted that Starbucks was not willing to do. For example, they served lattes with skim milk vs. whole. Starbucks refused to do so because skim milk affects the quality and taste of the drink. Starbucks customers started to complain. And more important, walk across the street to competitors. Starbucks was caught in the middle between philosophy and economics. It had build a customer base (but not achieved profitability) based on strict quality, but its business plan required massive growth to be profitable. At what point did it need to stop preaching and starting listening? And at what point would that mean selling its soul?
Schultz decided to think like an economist, and Starbucks began allowing skim milk to be used in its espresso drinks. Some people would say this was the beginning of the end for Starbucks; many others would argue that it was the beginning of the beginning.
Much as it's fun to rip Starbucks for all kinds of things (the greatest Onion headline of all time was "Starbucks Opens in Rest Room of Existing Starbucks"), Schultz has by and large managed to navigate the philosopher/economist tempest pretty damn well. He's never compromised on the bean or the brewing, so by being a philosopher, he's managed to beat lower-quality competitors like Gloria Jeans. But by also being an economist, he's profitably introduced frappucinos, Starbucks ice cream and even music into the mix (all the result of customer suggestions or employees' ideas). He sums it up by pointing out that Starbucks will add hazelnut syrup to a drink if a customer requests it, but it will never sell a bag of hazelnut-flavored beans. Believe it or not, that actually makes sense when you read the book.
I do think Starbucks officially lost its way with the introduction of VIA instant coffee ... a case I made in a previous visual post. And of course they've had to scale back in recent years. The company is certainly not perfect. Its reputation has always been more corporate than it views itself, but it has also been a rather exemplary corporate citizen when it comes to employee ownership and health benefits.
It's easy to be a rigid philosopher, but philosophers end up frustrated and bitter because few people think exactly like them. It's also easy to be a free-wheeling economist, but pure economic thinkers ultimately stand for nothing other than making money. What's terribly, terribly difficult is to walk that tightrope and make good decisions that lean one way or the other ... to listen to your audience without compromising your integrity. It's not a terribly sexy idea, and there's no public award for it. But in my book, it's actually the key to real success.
Wednesday, April 14, 2010
The "We Get It" Movement
A marketing movement that's been building for a few years now has finally reached the mainstream. I call it the "we get it" movement. Sure, it's probably geared mostly for the so-called Digital Native consumer population, but it actually has a much wider appeal. It goes like this:
For decades, advertising has lived in the Patronizing Age. This is the time when advertisers surely must have thought you were stupid. They assumed that you would buy whatever they were selling without realizing what's actually going in their ads. And the ads were, in retrospect, ridiculous.
The We Get It Movement says, "Listen, you and I get it. We see through all the B.S. the other people fall into. We're smarter than they are. (Wink.)"
The first ad that I can remember with this tone came from the Target Market anti-tobacco campaign. A series of kids looked into the camera and delivered blisteringly sarcastic lines to the tobacco industry. I can't recall the specifics, but I picture a kid looking into the camera and saying (with all the mock sincerity in the world), "If you show me a cartoon camel smoking a cigarette, I'll think it's cool." The campaign was shocking for its absolute rejection of the "Just-Say-No" marketing that dominated the airwaves at that time. The strategy was completely different: Instead of talking AT people and trying to demonize an entire industry, the idea was to let the "victims" speak, thus emasculating an industry by showing how the target market sees through its infantile tactics.
Now the idea is officially mainstream, because Kotex is running its high-buzz UbyKotex campaign not only on YouTube, but during American Idol. If you haven't seen the spots, they're quite hilarious. They achieve the "we get it" factor by basically making fun of the entire history of feminine hygiene product advertising. But the strategy is more than satirical; it's really about complimenting the audience and ushering in a whole new inside-joke vibe with the super-marketing-savvy consumer. I'm not exactly the target market for Kotex, but I'd be surprised if the strategy (and its resulting tactics) aren't paying huge dividends in the aisle I usually avoid.
For decades, advertising has lived in the Patronizing Age. This is the time when advertisers surely must have thought you were stupid. They assumed that you would buy whatever they were selling without realizing what's actually going in their ads. And the ads were, in retrospect, ridiculous.
The We Get It Movement says, "Listen, you and I get it. We see through all the B.S. the other people fall into. We're smarter than they are. (Wink.)"
The first ad that I can remember with this tone came from the Target Market anti-tobacco campaign. A series of kids looked into the camera and delivered blisteringly sarcastic lines to the tobacco industry. I can't recall the specifics, but I picture a kid looking into the camera and saying (with all the mock sincerity in the world), "If you show me a cartoon camel smoking a cigarette, I'll think it's cool." The campaign was shocking for its absolute rejection of the "Just-Say-No" marketing that dominated the airwaves at that time. The strategy was completely different: Instead of talking AT people and trying to demonize an entire industry, the idea was to let the "victims" speak, thus emasculating an industry by showing how the target market sees through its infantile tactics.
Now the idea is officially mainstream, because Kotex is running its high-buzz UbyKotex campaign not only on YouTube, but during American Idol. If you haven't seen the spots, they're quite hilarious. They achieve the "we get it" factor by basically making fun of the entire history of feminine hygiene product advertising. But the strategy is more than satirical; it's really about complimenting the audience and ushering in a whole new inside-joke vibe with the super-marketing-savvy consumer. I'm not exactly the target market for Kotex, but I'd be surprised if the strategy (and its resulting tactics) aren't paying huge dividends in the aisle I usually avoid.
Thursday, March 18, 2010
Don't Be Afraid of Specificity
Since I just covered the issue of "Fear of the Negative," I might as well address a similar fear that tends to work against marketing goals: Speciphobia, the fear of being specific.
This is an understandable language issue in marketing. From a legal standpoint, you often can't be too specific without opening up some level of exposure and risk. The problem is, from a pure communication standpoint, people love specificity. As consumers, we want to know exactly what we're getting, exactly what we're saving, exactly what you can do for me, and exactly what you want me to do.
In fact, I would argue that in the media-saturated chaos that now engulfs us, we're positively lost without specificity. Three examples come to mind (a specific number, see?):
This is an understandable language issue in marketing. From a legal standpoint, you often can't be too specific without opening up some level of exposure and risk. The problem is, from a pure communication standpoint, people love specificity. As consumers, we want to know exactly what we're getting, exactly what we're saving, exactly what you can do for me, and exactly what you want me to do.
In fact, I would argue that in the media-saturated chaos that now engulfs us, we're positively lost without specificity. Three examples come to mind (a specific number, see?):
1. Twitter, as we all know by now, lets you say anything you want to say, but only in 140 characters. Why 140? No reason, other than it's a restriction that forces you to act within it, and thus makes the entire platform more usable and interesting.
2. The idea of "buying local" has been around for decades, but why has it suddenly gained traction? Because an enterprising local consultant named Cinda Baxter started The 3/50 Project. The idea: Think of three local businesses you'd miss if they went away; and commit to spending $50 a month at those and other independent, locally owned businesses. "Buy local" is an empty platitude. "Support three businesses at $50/month" is a call to action.
3. Everyone wants to make a movie. Everyone imagines writing the great American novel. Now, with projects like the 48 Hour Film Project and NaNoWriMo, millions are getting into the act. You mean I only have 48 hours to make a movie? (Some contests have shortened it to 24). I only have a month write a novel? That's crazy. Okay, I'll do it.
Specificity sounds risky. We too often assume that it will alienate people. In fact, it usually has the exact opposite effect. Specificity eases understanding and incites action. So the next time you think it's good enough to say that your product or service "drives performance" or "leverages core assets," think again. Give me a number.
Wednesday, February 17, 2010
Telling the Story
Just wanted to share this video produced by Conk Creative with 185 Media (sorry for the chopped aspect ratio; this is the smallest YouTube will allow, and the right side still gets cut off).
This is going to be an ongoing series that tells the story of HealthPartners, which is really the story of prepaid medical insurance itself (something we take for granted).
I did a lot of similar work back in the day at West Publishing, and you'd be surprised how effective pieces like this are, especially for new and existing employees. People want to know more than what you do and how you do it. They really crave an understanding of WHY you do it.
This is going to be an ongoing series that tells the story of HealthPartners, which is really the story of prepaid medical insurance itself (something we take for granted).
I did a lot of similar work back in the day at West Publishing, and you'd be surprised how effective pieces like this are, especially for new and existing employees. People want to know more than what you do and how you do it. They really crave an understanding of WHY you do it.
Wednesday, February 10, 2010
Don't Be Afraid of Negative Language
Much has been written about the importance of being positive all the time. Rubbish.
Not to get too scientific about a largely subjective industry, but basically our brains are huge prediction machines. We have big brains so that we can recognize patterns (such as people's expressions) and be able to predict how things are likely to affect us. To see patterns, we need contrast. To see black, we need white, and vice versa. Studies have shown that people who strike a purely positive or negative attitude regardless of the actual circumstances are doomed to make bad decisions.
Yet when it comes to marketing language, I've seen my own pattern for over 10 years: "We can't be negative." Don't get me wrong. If that's a response to someone proposing a tagline of "We're not as bad as our competitors," I understand. But it's gotten to the point where people are unwilling to even use the word "don't" in their copy or taglines. This is not helpful.
I did a little research and found some of the more famous taglines that incorporate so-called "negative" language. See if you can remember the company represented by each tagline:
We don't make a lot of the products you buy. We make a lot of the products you buy better.
It's not just shipping. It's ________.
Don't leave home without it.
It's not just for breakfast anymore.
Never let 'em see you sweat.
Don't get mad. Get ____.
The uncola.
Do these taglines strike you as negative, or do they provide clarity? Obviously, I think the latter. (Although I've never understood the first tagline. If you don't make products I buy, then why do I need to know who you are?)
Go back to a fundamental truism of marketing: People are busy. You can't waste their time. That means you need to tell them what you do. And to do that, you sometimes also need to tell them what you don't do. In fact, you can almost feel the relief in the air when someone says, "No, we don't do that." I've reached a point where I don't trust anyone who can't tell me what they don't do, or what they're not good at. Kudos to Domino's Pizza for using real negative consumer feedback in their newest ad campaign. It made me trust them, and it made we want to try their pizza again for the first time in years.
If contrast is your friend, then "negative language" is at least your drinking buddy. If you want the yin, you have to have the yang, because "positive" and "negative" can't be defined except in contrast to each other. In considering what you or your company does, start with what you don't do, as well as what "negative" problem you solve. After all, you can't have a Band-aid without an owy. You can't have a firefighter without fire. And you can't have a pain reliever without pain.
Don't you not disagree?
Not to get too scientific about a largely subjective industry, but basically our brains are huge prediction machines. We have big brains so that we can recognize patterns (such as people's expressions) and be able to predict how things are likely to affect us. To see patterns, we need contrast. To see black, we need white, and vice versa. Studies have shown that people who strike a purely positive or negative attitude regardless of the actual circumstances are doomed to make bad decisions.
Yet when it comes to marketing language, I've seen my own pattern for over 10 years: "We can't be negative." Don't get me wrong. If that's a response to someone proposing a tagline of "We're not as bad as our competitors," I understand. But it's gotten to the point where people are unwilling to even use the word "don't" in their copy or taglines. This is not helpful.
I did a little research and found some of the more famous taglines that incorporate so-called "negative" language. See if you can remember the company represented by each tagline:
We don't make a lot of the products you buy. We make a lot of the products you buy better.
It's not just shipping. It's ________.
Don't leave home without it.
It's not just for breakfast anymore.
Never let 'em see you sweat.
Don't get mad. Get ____.
The uncola.
Do these taglines strike you as negative, or do they provide clarity? Obviously, I think the latter. (Although I've never understood the first tagline. If you don't make products I buy, then why do I need to know who you are?)
Go back to a fundamental truism of marketing: People are busy. You can't waste their time. That means you need to tell them what you do. And to do that, you sometimes also need to tell them what you don't do. In fact, you can almost feel the relief in the air when someone says, "No, we don't do that." I've reached a point where I don't trust anyone who can't tell me what they don't do, or what they're not good at. Kudos to Domino's Pizza for using real negative consumer feedback in their newest ad campaign. It made me trust them, and it made we want to try their pizza again for the first time in years.
If contrast is your friend, then "negative language" is at least your drinking buddy. If you want the yin, you have to have the yang, because "positive" and "negative" can't be defined except in contrast to each other. In considering what you or your company does, start with what you don't do, as well as what "negative" problem you solve. After all, you can't have a Band-aid without an owy. You can't have a firefighter without fire. And you can't have a pain reliever without pain.
Don't you not disagree?
Friday, January 22, 2010
Mauer to the Mound
Introducing the Conk Creative written and produced TV spot for Anytime Fitness, starring Mr. Joe Mauer:
Thursday, January 7, 2010
Souvenirs
What did I do this summer and fall? I was locked in my basement writing the script for this film as a Marine stood over my shoulder. Shooting begins in March. Would you see this movie?
Tuesday, January 5, 2010
The Wonderful World of Keynote
Here's the situation: We live in a world where there's more and more to explain, and people have less and less time to have things explained to them. (As a writer, I occasionally have to admit that people often don't even have time to read anymore. How depressing.)
But fear not, the tools for communicating quickly and visually are getting more and more accessible. All you need is a tight script, a USB microphone, some audio editing software and a wonderful little program called Keynote, and you can accomplish in days what used to take weeks (and cost a small fortune).
Did I say "you"? I meant "me." Anytime Fitness agreed to let me share this animated presentation with the world (while promoting their incredible new website for members, Anytime Health). I'm telling you that these presentations really work, and I'm hoping that you'll find a need for your business to have one just like it.
But fear not, the tools for communicating quickly and visually are getting more and more accessible. All you need is a tight script, a USB microphone, some audio editing software and a wonderful little program called Keynote, and you can accomplish in days what used to take weeks (and cost a small fortune).
Did I say "you"? I meant "me." Anytime Fitness agreed to let me share this animated presentation with the world (while promoting their incredible new website for members, Anytime Health). I'm telling you that these presentations really work, and I'm hoping that you'll find a need for your business to have one just like it.
Thank You, Part II.
Two years ago, I decided to write myself in as a character in a book called "Where the Self-Employed Things Are." Last year, I wrote my first corporate thank-you note, humbled by the incredible startup support I received from friends and former colleagues. I can't really top the drama of describing waking up one morning with a mortgage, a family and no source of income, and I won't even try. But I will say that, while Chapter One in this strange book might be titled, "What the Hell Are You Doing?", Chapter Two's header reads more like "What Took You So Long?"
A friend of mine once told me that in agrarian times, it used to be considered normal, more stable and even less risky to be your own boss. (The alternative was "having to go work for someone else.") I found that hard to believe at the time, and I still do. But I'm beginning to think that the Digital Age might have something in common with the Agrarian Age.
I'm not crazy enough to say that self-employment is for everyone. Yes, health insurance is insanely expensive. And even when you feel somewhat established, you still live every day not knowing what projects lie 30 days ahead. But I've come to listen closely when people describe an experience as "difficult" and "stressful," but something they "couldn't imagine living without." These are usually the most meaningful experiences. And for me, they include working abroad, having a child and starting my own business.
I won't bore you with tales of walking door-to-door on Dublin's Grafton Street looking for a job in the summer of 1990. And my tales of fatherhood are well-documented on my non-professional blog. But I will say how amazed I am at what I experienced during the past year. There were the sexy projects, like writing a feature film related to World War II and shooting a commercial with Joe Mauer. There were the "didn't see that coming" projects, like creating an animated presentation for the 50th anniversary of a couple I'd never met, or hastily creating a T-shirt designed to encourage the firing of Notre Dame's football coach. And there continue to be the simple, day-to-day pleasures of working with appreciative clients and fellow creative entrepreneurs--the people I absolutely could not live without.
A friend of mine once told me that in agrarian times, it used to be considered normal, more stable and even less risky to be your own boss. (The alternative was "having to go work for someone else.") I found that hard to believe at the time, and I still do. But I'm beginning to think that the Digital Age might have something in common with the Agrarian Age.
I'm not crazy enough to say that self-employment is for everyone. Yes, health insurance is insanely expensive. And even when you feel somewhat established, you still live every day not knowing what projects lie 30 days ahead. But I've come to listen closely when people describe an experience as "difficult" and "stressful," but something they "couldn't imagine living without." These are usually the most meaningful experiences. And for me, they include working abroad, having a child and starting my own business.
I won't bore you with tales of walking door-to-door on Dublin's Grafton Street looking for a job in the summer of 1990. And my tales of fatherhood are well-documented on my non-professional blog. But I will say how amazed I am at what I experienced during the past year. There were the sexy projects, like writing a feature film related to World War II and shooting a commercial with Joe Mauer. There were the "didn't see that coming" projects, like creating an animated presentation for the 50th anniversary of a couple I'd never met, or hastily creating a T-shirt designed to encourage the firing of Notre Dame's football coach. And there continue to be the simple, day-to-day pleasures of working with appreciative clients and fellow creative entrepreneurs--the people I absolutely could not live without.
We live in an age when the barriers to self-employment are lower than they've ever been. If you have a cell phone, a laptop and a WiFi connection, you can be an entrepreneur. If not knowing what the next chapter of your life is going to be doesn't scare you to death, I say enter the story. And start writing.
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